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another guy in India

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Happy Friday everyone – I find myself wanting to expand on an offhand remark I made at a conference a while ago, where I suggested that at the present level of development, it was possible to get a bit of perspective by using the rough heuristic that “Generative AI” could be replaced by “an offshore centre in Chennai”, and seeing whether your argument still sounded convincing.

I actually do think that my perspective on AI has been very shaped by spending ten years in and around the global knowledge process outsourcing industry – it was certainly one of the things that initially got me interested in cybernetics and the idea that information transfer and processing was central to economic organisation. But in general, if we’re thinking about “Will All The Jobs Be Replaced By The Computer”, it seems to me to be very relevant to have a look at a group of people who a) were the previous thing that was going to Replace All The Jobs, and b) are quite likely to be in the front line themselves of being Replaced By The Computer. So here’s three things I learned:

People who don’t make the investment in making it work properly, tend to have a very wrong understanding of what can be achieved. I always liked to pretend in my mind to be the Harvey Keitel character from Pulp Fiction when troubleshooting an offshore project that had run into trouble. And like that character, a lot of what was needed to do was just to ask obvious questions and give obvious instructions. Nine tenths of my consulting fee was earned by the time I’d asked the question “Whose job is it to handle communication with the offshore team”?

It is classic cybernetics stuff – part of the cost of setting up a system is the cost of setting up information infrastructure to make sure that information flows in and out of the black box, to the place where it can be useful, in a form in which it can be the basis for decision making and in time to be useful. As Stafford Beer’s “First Principle of Organisation” puts it, information flows will always obey the Law of Variety (the capacity of the control system is at least equal to the variety of what it’s trying to regulate) – the task of management is to make sure that this inequality is satisfied in the most productive way with the least strain.

In an outsourcing arrangement, this means that the useful output of the offshore centre will resize itself according to the capacity provided to communicate with the onshore client. Allocating resources to this task can be done in smart or dumb ways, and I hope I learned a few clever tricks of information attenuation and amplification to make it work. But the problems typically arose when no specific resource was allocated at all.

The ick factor should not be underestimated. It’s enough to make an anthropologist out of you. My CEO and the founder of FLA has a lot of thoughts on this, and maybe I’ll try and get a guest post out of him. But from my perspective, at least as important as old-fashioned racism, economic protectionism and don’t-care-don’t-like-it-ism (all of which certainly exist, and which people were to my mind surprisingly forthright in expressing to a complete stranger) is the fact that lots of people don’t like giving orders. Just like the nouveau riche of the 1920s allegedly didn’t know how to deal with servants, Anglo-European middle managers have to go through a bit of a mental adjustment to stop using the “colleagues” style and relying on shared understanding and tacit communication, and start giving specific orders for what they want and when they want it by. People don’t like being put into the role of being a boss with no warning. Often the nicest people are the biggest problems, because they are the ones who feel the most powerful sense of dissonance and awkwardness at suddenly being told they’re now in charge of a dozen human beings earning much less money than them, in the former British Empire. I tended to chuck them a copy of one of the books in the Wyndham and Bannerjee historical detective novel series, I don’t know if it helped.

I think the point I’m trying to make here is that ChatGPT, for some reason, doesn’t have the same affect; it sits in the uncanny valley between “talking to a person” and “going on the computer”, and people are able to trick themselves into giving it orders. That’s a big advantage for it in terms of my previous point, as in my experience, people are very very bad judges of how much time and effort they are spending on things. Somone will spend as much as ten minutes out of every hour explaining things to a graduate trainee on their desk, then swear blind at the end of the day that the trainee needs hardly any supervision; the same person will then cut up rough about not having time for this BS when you ask them to set up a half-hour call once a week with the offshore team. The fact that it’s so easy to get into a rabbit hole and lose track of time when trying to train the chatbot to do something is actually quite important.

Getting bad news is always the problem. Anyone who knows me will have heard the anecdote, but I firmly believe that the very worst possible case for offshore knowledge work is the combination of a Canadian client and a graduate of the Indian Institute of Technology. On one side, you have someone who has been trained to never refuse anything to someone in authority, and that all problems can be solved by working or studying harder. On the other side, you have an extremely conflict-averse culture, with someone who wants to think of their colleagues as friends. This more or less guarantees that nobody will find out about problems or miscommunications until they have become literally disastrous.

I don’t know whether to be interested or amused by the fact that ChatGPT is even worse at saying “no” or “I don’t understand the question” than a room full of enthusiastic offshore workers.I suspect that the problem has the same root – it is really difficult to provide reinforcing but negative feedback. We don’t have the human language to make a sentence like “That is bad news and I am annoyed, specifically I am annoyed with you for doing something wrong but thank you for telling me, I am pleased with that bit” sound convincing.And it seems like we don’t have a mathematical loss function for it either; maybe that should be the frontier of new research.

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koranteng
16 hours ago
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Dark Age

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A man leads children into waters teeming 
with bacteria. Because they are splashing
and swimming, most likely they will swallow
some water. No one is sure if milk is safe
to drink anymore; if birds will begin to fall
down dead, straight out of the sky; or a hundred
canaries choke on toxic gases in the coal mines.
You visit the zoo and the cages are verdigrised
and empty. Where did the moon go? The whine
of sirens rises in the distance, as planes
roll onto their sides and dust coats bodies
in the desert, stacked like mortar stone.
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koranteng
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Health Insurance Codes

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A doctor friend, it was, who graciously shared the secret
Explaining how to unlock a small measure of respect
Strategic, the secret codes the layman must decipher
To advance within the confines of this healthcare system

Apparently all it takes is to ask two simple questions
The mere mention of which triggers an industry alert
Healthcare professionals immediately put on guard
For it augurs that one is at ease with their language

In retrospect it's surprising that one needs this bit of self advocacy
Jargon to be able to navigate this rugged terrain of uncertainty
An American landscape of billing codes, errors and complexity
Rigged. Defensive medicine in the face of litigious uncertainty

Of course these are just openings, an entrée into a conversation
You make your own luck afterwards, for these are fraught situations
Your body and mind will continue to confront daily adversity
And your interlocutors will contend with the vagaries of biology

And so to the questions, deceptively simple but specific
It is best to feign an aura of comfort with the scientific:
What is the diagnosis?
What is the prognosis?



M.C. Escher



Code, a playlist


A soundtrack for this note (spotify version) File under: , , , , , , , , , , , ,

Writing log. October 8, 2022

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Justice Is No Time Machine

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It’s taken me this long to read in full this article about the London Ambulance Service and NHS Trust admitting failures over the death of my brother, Ebow. I was on a flight when it came out, and could only read text messages on the plane’s Wi-Fi. My girlfriend pasted the words into WhatsApp for […]



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koranteng
4 days ago
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You Voted For This (And Other Songs)

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Elections don't make for great subject matter for music (or art in general). They are typically uneventful in most countries. And most would rather sing about love, conflict, loss or betrayal. Audiences don't favor the banal when escapism, gossip, or spicy takes are available.

Still, there is a certain strain of art that emerges when elections are contentious, or if the personalities involved are striking in some way. The loss may hurt more, the win might be long overdue, or against all odds, the results might be shocking...

Joy, shock, upheaval or outrage rightly deserve an artistic response. In contrast, the poet of the quotidian lives in considered penury, envious of her more successful peers.

Hands down, the greatest artistic reaction to an election is B-movie by Gil Scott Heron. It starts with the immortal line "Mandate, my ass", and goes on from deconstructing Ronald Reagan's 1980 election to painting a pointillist portrait of a nostalgia-ridden USA (said nostalgia endures).

Beyond the biting poetry, set to that militaristic bassline, the performance benefits from its panoramic scope that moves beyond Skippy's loss, and RayGun's ascension, to a cold-eyed assessment of the wider culture.

(His band would soon be renamed the Selective Amnesia Express.)

The song, B-movie, like the earlier Winter in America, continues to resonate due to the range of his ambition and careful economy of the execution. The sparse musical arrangement is just the icing on the cake.

The prescient lyrics, of course, diagnosed, at length, Bush 2004 and Trump's MAGA appeal:
The idea concerns the fact that this country wants nostalgia
They want to go back as far as they can - even if it's only as far as last week
Not to face now or tomorrow, but to face backwards
But if B-movie is sui generis, what about the more routine reactions? Sticking to music and what is available on YouTube music, and focusing on the USA, I give you a representative playlist of twenty songs that cover the past twenty years. As usual, I have a few thoughts (call them liner notes)...

The most recent reaction songs started right after the November 2024 US election. The most typical response contains the expected mix of disgust, I told you so, you've made your bed, now lie in it, this is your mess etc. In short, schadenfreude, anger and fear prevail.

While I understand the impulse and there's certainly the urge to react, politics remains a contact sport. One wonders: what is the intent of all this sound and fury? What is the underlying theory of change?

Anger may motivate to wrath while disappointment often leads to depression and disengagement. Perhaps the idea is that even though writing in righteous anger, or singing the blues, may not change the world, their palliative relief is very welcome. Perhaps we should look elsewhere for change.

(But perhaps I'm not the wisest person to opine on such matters, after all I've written 5,000 words on an html button, 7,000 words on a taxonomy useful idiots, and even 9,000 words on a bookmarked tag. What change did I drive?)

Every act of creation should be celebrated. Moving on...

I voted for this by Friend of USAID


The most impressive finding comes from the aptly-named band, Friends of USAID. Newly-formed in 2025, they fully embrace the satirical mantle. Opening this playlist is the just-released I Voted For This. A delicate duo, melding male and female voices, they add sweet insult to injury

Calm delivery, sample lyrics:
My cousin's kid caught the measles - I guess that's kinda sad
But at least she won't have to learn how slavery was bad
The crops are dying, the aid is gone, but I don't care 'bout that
At least I don't have to speak Mexican and hear 'bout them eating cats
The inspired band name highlights the the Doge cuts that have decimated the mission of the eponymous agency. The artwork of the 15 singles they have released this year accentuate the effect. As do the songs themselves sample titles: Thoughts and Prayers, inc, Reverse Robin Hood (The Tariff Two-Step).

I hope that, like Randy Rainbow, they commit to the bit and continue to release more music. They have an album's worth of material already. We could all do with more biting satire to leaven the next few years.

More typical in the 2025 crop is You Voted For This Fool by Lazy Radiographer which reeks with disgust. The chorus: "You chose the fire / Now feel the cost / Watch freedom burn / While you praise the boss"

This Is What You Voted For (I Hope You're Happy) by After Everything continues in the vein of anger and outrage. It's rock-infused so less restrained. Lyric: "Sooner or later they'll come for you and you'll be the next in line". Bleach is the cover of their last album title A-Jax Everywhere

Is This What You Voted For? by Rhett Sawyer is more earnest and conciliatory, seeking to question and start a conversation. He's a country musician worried about his country and reels a litany of problems starting with "a land of the lost, locked up and poor", and carrying on from there

Cory Legendre is all bitterness in You Get What You Voted For - off his album, We Tried To Tell You (cover with Putin and Musk and a sitting Trump). Albeit looking at vote counts in the recent election, I'd hope the b-side would address those who didn't vote.

Lopkerjo has fully signed up with the resistance and has Nobody Voted For This, the titular track of his furious album... Still, methinks that Liz Cheney Hero of Integrity is where I step off (I would have added a question mark to that song title at the very least, but your mileage may vary).

Late in 2024, Me & Melancholy wounded by Trump's victory released We Never Voted For This. Working fast but protesting too much, I think. Who is the We he is talking about? I would rather point him in the direction of Antibalas's 2010 album, Who is this America Dem Speak of Today?

YaBoi Dirty is more philosophical with Who You Voted For. His is more a plague o' both your houses missive. The kind of demoralized outlook that would lower voter turnout - and perhaps that is the point of his intervention. Politicians are crooks, spokesmen for the rich etc...

Capture the state by Friend of USAID


Stepping back to 2022, we have part of Ben Frank's standup comedy routine which is riffing on political hypocrisy with This Is What You Voted For. The private sexual mores versus the public severe prudity. Cynicism about the bonafides of leaders.

Turn to hip-hop also in 2022, Mr Trumptastic released You Voted For Jb You Must Be Smoking Dope. He'd had enough of a whole year of Joe Biden's presidency and was looking forward to Trump's rightful return. One wonders if he'll have more to say for the current moment.

in 2021, Art Neuro, more punk than rock, chimed in with This Is The Stuff You Voted For taken from his Sadistic Ineptitude album. Not quite mellifluous, his is a rather acidic take.

Preaching reconciliation in 2021, JCAR93 weighs in with Come Together (Even If You Voted For Trump), trap rap noodling. I suspect The Beatles were more artistically successful being all sugary and omitting the snark.

In 2020 from England, we have If You Voted For This Then You Are Part Of The Problem by Dannydangerously, his grime flow is less outraged at Boris Johnson's shenanigans than of his countrymen's continued voting for the Tories. England was then the new epicenter of the covid pandemic.

In 2015, Me Time released You Voted For This. Again punk-inflected, and furious about the GOP's assault (presumably under Bush) on gun control, the EPA, bloody wars, corporate cronyism.
"Thank God we chose to back the GOP / The world is a wasteland / It's piles of grass, ash and sand"
Also in 2015, The Walking Toxins chime in with You Voted For Them. Angry at a fascist state that dropped the bomb (unclear whether it was Obama drones or Bush shock and awe that drew their ire). Like the music they produce here, they are not happy campers.

In 2012, Zygsville sound bewildered in Who Voted for This, a nice uptempo joint that one can do a line dance to. More musically interesting with some nice guitar licks. Giving the date of the release, I suspect Barack Obama wasn't his favorite but the lyrics are rather ambiguous consequently the song has legs.

In 2008, Beatnik Turtle whistles his acute observations on buyer's remorse, describing how the new guy becomes "the incumbent, he's got the peoples mandate, but he's passing wacky laws now, showing all his flaws and he's the guy that everyone hates. And all of a sudden nobody voted for this guy"

The humourous point is well taken about how partisans turn quiet when those they put in power screw the pooch. And, quite likely, this year we'll be repeating the observers are worried mantra.

Stylistically, then, the songs are mostly country, rock and punk, perhaps because I stuck to the Anglosphere. It's not easy listening as the singers are trying to provoke a reaction. Where we have hip-hop, the political commentary is a sideshow, braggadocio is a necessity in that form.

I do think that the songs with songs that broaden the perspective will likely endure but I appreciate the lesser works as fodder for the time capsule, cultural artifacts for later historians mining the zeitgeist of these trying times. I hope we make it to the other side.


Bonus beats: Your Mess by Omar, timeless soul, and an extract from Black Wax the film that featured a live performance by Gil Scott Heron of B-movie


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Writing log: May 4, 2025

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koranteng
7 days ago
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Kindness for Weakness

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While it may feel good
  To use me as an emotional crutch
   Don't mistake my kindness for weakness

The neediness though understandable,
  At length, can be grating
   Shall I compare thee to a leech?

A bit of restraint, please,
  It's a little too much
   The straw that broke the camel's back

I know you're tired
  But taking it out on those close to you can be dangerous
   Even dormant volcanoes sometimes erupt


the rhinoceros

Kindness for Weakness, a playlist


A soundtrack for this note (spotify version) Bonus beats: Emotional Pump by Prince. Still fascinating that he thought it would be something Joni Mitchell would sing...

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Writing log: September 10, 2022

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koranteng
10 days ago
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